Elizabeth Taylor (born February 27, 1932 – died March 23, 2011) was a British-American actress, businesswoman, and humanitarian, considered one of the greatest film stars of Hollywood’s Golden Age.
Born in Hampstead, London, Taylor moved to Los Angeles as a child and quickly rose to fame with MGM Studios. She captivated audiences with her beauty, violet eyes, and remarkable talent, starring in classics such as Cleopatra, Cat on a Hot Tin Roof, and Who's Afraid of Virginia Woolf?
Taylor won two Academy Awards for Best Actress and was among the first celebrities to use her fame for humanitarian causes, particularly AIDS awareness and research.
Beyond her screen career, she was also known for her business ventures, her celebrated jewelry collection, and her vibrant personal life, including her eight marriages.
Date of Birth: February 27, 1932
Place of Birth: Hampstead, London, England
Nationality: British-American
Known for: Cleopatra, Cat on a Hot Tin Roof, AIDS activism, Academy Awards
Taylor was one of the first actresses to command $1 million for a film role, in Cleopatra (1963). She won critical acclaim throughout her career and became a global icon for both her artistry and her off-screen persona.
| Year | Film / Title | Role | Notes |
|---|---|---|---|
| Early MGM Years (1940s) | |||
| 1942 | There's One Born Every Minute | Gloria Twine | Film debut at age 10 for Universal Pictures. |
| 1943 | Lassie Come Home | Priscilla | Breakthrough MGM role alongside Roddy McDowall. |
| 1944 | The White Cliffs of Dover | Young Susan | Minor role that continued her MGM association. |
| 1944 | National Velvet | Velvet Brown | Star-making performance; one of her defining childhood roles. |
| 1946 | Courage of Lassie | Kathie Merrick | Second Lassie collaboration; strengthened her image as MGM’s child star. |
| 1947 | Cynthia | Cynthia Bishop | Transitioned to adolescent roles; received critical notice. |
| 1948 | Life with Father | Mary Skinner | Co-starred with William Powell and Irene Dunne. |
| 1949 | Little Women | Amy March | Classic Louisa May Alcott adaptation; key ensemble role. |
| Hollywood Stardom (1950s) | |||
| 1950 | Father of the Bride | Kay Banks | Hit family comedy with Spencer Tracy; earned an Oscar nomination for the sequel. |
| 1951 | Father's Little Dividend | Kay Dunstan | Sequel to Father of the Bride; popular box office success. |
| 1951 | A Place in the Sun | Angela Vickers | Critically acclaimed performance opposite Montgomery Clift. |
| 1952 | Love Is Better Than Ever | Judith Taylor | Romantic comedy showcasing her growing maturity. |
| 1952 | Ivanhoe | Rebecca | Historical adventure filmed in England; major international success. |
| 1953 | The Girl Who Had Everything | Jean Latimer | Crime drama marking her full transition to adult roles. |
| 1954 | Rhapsody | Louise Durant | Romantic drama centered around classical music. |
| 1954 | Beau Brummell | Lady Patricia Belham | Period film opposite Stewart Granger. |
| 1954 | Elephant Walk | Ruth Wiley | Set in colonial Ceylon; originally cast with Vivien Leigh. |
| 1956 | Giant | Leslie Lynnton Benedict | Epic Texan drama with Rock Hudson and James Dean; earned an Oscar nomination. |
| 1957 | Raintree County | Susanna Drake | Civil War romance; received her first Academy Award nomination. |
| 1958 | Cat on a Hot Tin Roof | Margaret “Maggie” Pollitt | Tennessee Williams adaptation; critical acclaim and Oscar nomination. |
| 1959 | Suddenly, Last Summer | Catherine Holly | Controversial psychological drama; earned another Oscar nomination. |
| Peak Career & Acclaim (1960s) | |||
| 1960 | BUtterfield 8 | Gloria Wandrous | Won her first Academy Award for Best Actress. |
| 1963 | Cleopatra | Cleopatra | Lavish historical epic; one of the most expensive films ever made; met Richard Burton during production. |
| 1963 | The V.I.P.s | Frances Andros | Romantic ensemble drama; co-starred with Burton. |
| 1965 | The Sandpiper | Laura Reynolds | Romantic drama reuniting Taylor and Burton; featured Oscar-winning song “The Shadow of Your Smile.” |
| 1966 | Who’s Afraid of Virginia Woolf? | Martha | Won her second Academy Award for Best Actress; landmark in modern acting. |
| 1967 | The Taming of the Shrew | Katharina | Shakespeare adaptation; again co-starring with Burton. |
| 1968 | Reflections in a Golden Eye | Leonora Penderton | Directed by John Huston; psychological southern drama. |
| 1968 | Dr. Faustus | Helen of Troy | Adaptation of Marlowe’s play; directed by Richard Burton. |
| 1969 | Secret Ceremony | Leonora | Avant-garde British film by Joseph Losey. |
| 1969 | Boom! | Flora Goforth | Tennessee Williams adaptation; cult following despite poor reception. |
| Later Career (1970s–2000s) | |||
| 1972 | Hammersmith Is Out | Jimmie Jean Jackson | Dark comedy; final major Burton collaboration. |
| 1973 | Ash Wednesday | Barbara Sawyer | Drama exploring aging and cosmetic surgery; Golden Globe nomination. |
| 1976 | The Blue Bird | Queen of Light / Night / Luxury / Mother | Fantasy adventure filmed in the USSR. |
| 1977 | A Little Night Music | Desirée Armfeldt | Adaptation of Stephen Sondheim’s musical. |
| 1980 | The Mirror Crack’d | Marina Rudd | Agatha Christie mystery; co-starred with Rock Hudson and Kim Novak. |
| 1988 | Young Toscanini | Nadina Bulichoff | Historical biopic directed by Franco Zeffirelli. |
| 1994 | The Flintstones | Pearl Slaghoople | Comic cameo; final theatrical role. |
| 2001 | These Old Broads (TV film) | Addie Holden | Television reunion with Shirley MacLaine, Debbie Reynolds, and Joan Collins. |
Elizabeth Taylor’s personal life, including her marriages to Richard Burton and other high-profile figures, made her a constant presence in the public eye. Despite media scrutiny, she remained beloved by fans worldwide.
Taylor passed away on March 23, 2011, in Los Angeles. She is remembered not only as a legendary actress but also as a pioneer in celebrity-driven philanthropy, leaving behind a legacy that continues to inspire.