William Blake (born November 28, 1757 – died August 12, 1827) was an English poet, painter, and visionary whose work laid the foundations of the Romantic Age.
Born in London, Blake displayed artistic talent from a young age and trained as an engraver. His works combined poetry, painting, and printmaking, blending mystical themes with profound social and spiritual commentary.
Among his most famous writings are Songs of Innocence and of Experience, which explored the dualities of human existence. His prophetic books, including The Marriage of Heaven and Hell, expressed his radical ideas on religion, morality, and society.
Though not widely recognized during his lifetime, Blake is now celebrated as one of the most innovative and influential figures in English literature and art.
Date of Birth: November 28, 1757
Place of Birth: London, England
Nationality: English
Known for: Poetry, Painting, Songs of Innocence and of Experience, Visionary Art
Blake rejected the conventions of his time, creating highly original works that fused word and image. His illuminated books, printed with his own innovative methods, embodied his unique style and spiritual imagination.
Blake married Catherine Boucher in 1782, who became his lifelong companion and collaborator. Despite financial struggles, their partnership supported his prolific artistic and literary output.
William Blake died on August 12, 1827, in London. Initially underappreciated, his works later inspired generations of poets, artists, and thinkers. Today, he is remembered as a prophetic voice who bridged art, literature, and mysticism in ways that remain timeless.
| Year | Title / Work | Category | Notes |
|---|---|---|---|
| Illuminated Books & Prophecies | |||
| c.1788 | All Religions are One | Illuminated tract | Relief-etched plates |
| c.1788 | There is No Natural Religion | Illuminated tract | Relief-etched plates |
| 1789 | Songs of Innocence | Illuminated poetry | Relief printing |
| 1789 | The Book of Thel | Illuminated poem | Mythic allegory |
| 1790–1793 | The Marriage of Heaven and Hell | Illuminated satire | Proverbs sequence |
| 1793 | Visions of the Daughters of Albion | Illuminated poem | Political erotics |
| 1793 | America a Prophecy | Illuminated prophecy | Revolutionary myth |
| 1793 | For the Sexes: The Gates of Paradise | Illuminated emblem | Plate series |
| 1794 | Europe a Prophecy | Illuminated prophecy | Orc cycle |
| 1794 | The Book of Urizen | Illuminated mythology | Cosmogonic narrative |
| 1795 | The Book of Los | Illuminated mythology | Urizen cycle |
| 1795 | The Book of Ahania | Illuminated mythology | Urizen cycle |
| 1795 | The Song of Los | Illuminated prophecy | Continental vision |
| 1794–1795 | Songs of Innocence and of Experience | Illuminated poetry | Contrary states |
| 1804–1811 | Milton a Poem | Illuminated epic | Visionary theology |
| 1804–1820 | Jerusalem: The Emanation of the Giant Albion | Illuminated epic | Albion myth |
| Poetry, Prose & Criticism | |||
| 1783 | Poetical Sketches | Poetry collection | Early volume |
| c.1784 | An Island in the Moon | Satirical prose | Manuscript satire |
| 1791 | The French Revolution | Historical poem | Fragmentary issue |
| 1808 | Jerusalem (hymn text) | Lyric / hymn | “And did…” |
| 1809 | Descriptive Catalogue | Exhibition text | Critical manifesto |
| Illustrations, Prints & Major Visual Works | |||
| 1794 | The Ancient of Days (frontispiece to Europe) | Relief etching | Urizen image |
| 1795–c.1805 | Newton | Colour print | Tate collection |
| 1795–c.1805 | Nebuchadnezzar | Colour print | Tate collection |
| 1819–1820 | The Ghost of a Flea | Tempera painting | Visionary figure |
| 1824–1827 | Illustrations to Dante’s Divine Comedy | Illustration series | Late commission |
| 1825–1826 | Illustrations of the Book of Job | Engraving series | 22 plates |